On April 6th, Sou and I had the honor of attending two separate talks at ChillChill Festival! What is ChillChill Festival? What did the talks entail? And why the heck were we able to go? Read on and you’ll find out!
On a Friday in mid-March, our coworker Snow (also a participant in the Renta! Staff BL Awards 2023) suddenly approached me after the weekly company-wide meeting and asked if I’d heard of “ChillChill Festival.” Spurred on by my confused post-hour-long-meeting look, she brought up the event page and told me tickets were available through work, since our main Japanese branch is a sponsor of the ChillChill BL Awards. We were allowed to pick two talks, and attend them with one friend if we so desired.
While I would have loved to bring my friend Merry (interviewed on the BLog here), she was unable to come. So, I was thinking I’d go alone—until I brought it up with Sou. Since they’re also a huge fan of Kishimoto-sensei (we discuss her adorable tweets regularly), they said they’d be interested in coming with. Thus, I requested two tickets each for “Discussing the Frontlines of BL Trends” (BLトレンド最前線を語る) featuring Kishimoto, Satou Sugar, and Teku Rin, and “BL Fetishism in the Reiwa Era” (令和のBLフェティシズム) featuring Okita Yuuho, Nikuya Inui, bov, and Yukiharu.
However, before we go into the day of the actual event, let’s discuss ChillChill, and the history of ChillChill Festival!
As someone who spends a lot of time in Japanese 女性向け (joseimuke, or female-oriented) spaces and also consumes a lot of BL, one thing I really enjoy is how BL manga very frequently reflects what’s going on in those circles—what themes are popular, what fashions are getting big, social concerns women are dealing with (have you ever wondered why JP Omegaverse is significantly more about social issues than hot breeding kink sex…?), etc. But it’s not just these themes and styles, but overarching trends in popular culture that suddenly start showing up as well. And in this case, the one I want to talk about is:
Shikinagi Akira and Hayase Sou discuss their fav BL tropes
Vtubers.
I’m not super open about it, but I’ｍ a Vtuber fan. I’m not as big into them as I used to be—back during the pandemic it was my (and many other people’s, I believe) main fandom. My cat is named after Saegusa Akina. I cried so hard and for so long on the day Mayuzumi Kai graduated that I wished I could call into work the next day but instead went in looking like I’d been punched in the face. I attended the Nijirock concert back in 2021 as well as Fantasia in 2022. Unfortunately, I’m not super acquainted with the newer gens, and I have much less time to watch them now that we no longer work from home, but Vtubers and streamers still hold a special place in my heart for making living alone during the pandemic significantly more bearable.
And the fun thing for me is that many BL mangaka seem to feel the same. When they aren’t drawing Vtuber fanart on their side accounts, BL manga about streamers (and Vtubers to a lesser degree) has exploded in the last couple years, so I wanted to write about the collision of these two things I love.
Our Renta! BLog has already featured two articles that touch on the origins of BL, but how about a history and theory lesson presented by two amazing, fantastic, intelligent scholars? I’m not saying it because these two are my dear cohorts, but because they’re two of the most knowledgeable people I’ve ever met—especially when it comes to their field of expertise, popular culture and manga. So, I arranged a group call with this fabulous pair to discuss the deep, intriguing and sometimes complicated origins of BL, its roots in shojo manga and the feminist and sexual liberation movements, and its misunderstood image.
(Disclaimer: portions of the interview were edited after some technical mishaps, but I’ve retained the majority of it as we actually spoke, e.g. occassionally using Japanese surnames first, by habit. Also, I’ll be reusing some pictures from the BL exhibition.)
Six months went by in a flash, and it’s already time for J.GARDEN 55! Regular readers of the BLog likely already know, but we attended J.GARDEN 54 as a business trip of sorts. This time I’ll be attending by myself just as a regular BL fan, so I won’t be writing another attendance report, but I figured I could still update everyone on who’ll be there, and which artists and books I’m personally super excited for.
Because the pamphlets sold out within a week last fall, I was careful to leave for Akihabara at 8AM on February 18th—I was going to be there at store open on the morning of the pamphlet being released, and I was going to get the damn thing. I went to Akihabara because it’s less popular with fujoshi than my usual haunt of Ikebukuro (land of the infamous Otome Road), and last year Akiba took way longer to sell out, so I wanted to go to Shosen Book Tower, an incredibly popular (and old) bookstore in Akihabara. However… the pamphlet wasn’t there lol. Ope. So I asked the staff, and they confirmed they WERE supposed to get a shipment in, but something went wrong and it was delayed.
Which was fine. Because you could also buy the pamphlet at Animate, and Animate Akihabara was only a few blocks away. (And I could look at Genshin goods while I was there…)
Tip that I actually didn’t know at the time (I spent a good ten minutes combing each floor with no sign of the pamphlet before asking the staff): pamphlets like this are actually generally kept behind the counter of the main floor. So if you’re ever in Japan and looking to purchase an event pamphlet, ask the staff first before wasting a bunch of time looking for it! (They’re very nice and helpful, and if you don’t speak Japanese just show the image on your phone and they’ll understand!)
Anyway, pamphlet obtained! Onto the actual content for the upcoming J.GARDEN 55!
Happy Cat Day! Or 猫の日 (neko no hi) as it’s called in Japan! As we’ve discussed previously on the blog, Japan loves to play word games with numbers (i.e. 8/01 or Yaoi Day, 11/29 or Good Meat Day, etc.), and 2/22 in Japanese can sound like nya-nya-nya, or the sound a cat makes. So, everywhere you look in Tokyo is currently covered in cats: the convenience store has tons of cat sweets and snacks and cat-related campaigns, department stores are hosting pop-up shops for cat-themed goods and toys and accessories, and shelters are obviously taking advantage of the cat festivities with fundraisers and adopt-a-thons! The weeks leading up to 2/22 are a very good time to love cats in Japan.
Family Mart mofusand cat coffee cups for Cat Day.
“What in the world does this have to do with BL manga?” you’re asking? Is this going to be a special about cat boys? How about beasts? Cats who can shape-shift into cute boys and fall in love with other cute boys? Or maybe about boys who love boys but who also love cats? BL where cats are heavily featured?
BZZZZT. You are incorrect.
Highly in-the-know people will probably already see where this is going: this is a post about bottom supremacy.
As quite a few of you may know, the slang for someone who bottoms during gay sex, which originated in gay circles before slowly meandering into the BL consciousness, is neko (ネコ)—or, cat! Well, we actually can’t be certain if cats are the one-to-one reason for “neko” being used. When preparing for this post, I was reading quite a few theories online as to whyneko is used to refer to bottoms. This article about gay slang points out the two most common reasons: it could come from pussycat/pussy (as in… women’s genitals… lovely), but it could also come from the Japanese word for a wheelbarrow, nekoguruma (because this is the way you might hold someone’s legs while you’re… umm… y’know). This article by drag queen and TV personality Mitz Mangrove about cats (in general) also discusses how cats are often seen as feminine in Japan which possibly is what led to neko having become the universal phrase for a man who bottoms.
It appears the true reason neko has turned into the slang for ‘bottom’ is unknown, but the fact still remains: cats and bottoms are now linked.
As the resident number one cat lover and bottom absolutist in this town, I figured I would celebrate Cat Day by discussing uke archetypes, my favorite uke characters that are available on Renta!, and slip in a little cultural/language lesson for good measure.
It’s that time of year again! This past Friday, ChillChill opened voting for the 2024 BL Awards! But I figured there might be some of our readers asking:
“What is ChillChill?” “What are the BL Awards?” “Why does this even matter?”
…which is why I’ve decided to write a post about ChillChill, the BL Awards, the recent history of year-end BL best-of compilations, as well as this year’s nominee pool and what you can actually read on Renta! So let’s just jump right into it!
I feel like anyone even vaguely versed in Japanese BL fandom has heard of ChillChill—that’s the level of impact and importance the site has in the Japanese market. You can barely search a BL artist or title without the site popping up as one of the top results.
ChillChill came onto the scene in 2008, starting out as an indexing and community site. Essentially, it was the BL version of sites like MyAnimeList. You could build a profile, share your favs, post reviews, take part in discussions, find new recommendations through their intense tagging system (which I’ve also discussed briefly in my post about why our community tagging system is important), make friends with similar tastes, etc.
It’s the beginning of February, and you know what this means—it’s the beginning of spring! Uh, wait, no. Or, actually, yes. According to the old lunar calendar in Japan, the 3rd of February (or the 2nd, every four years) marks the separation of Winter and Spring, and is thus called setsubun (節分、”seasonal division”). The next day is officially considered the first day of spring, which is often associated with new beginnings, much as the New Year itself. So Setsubun, as a festival, has a lot to do with cleansing the previous year, to carry on into spring with good fortune.
But there’s also something sinister that happens during this crossing point from one season to the next, and, considering festivals like Walpurgisnacht and such, various cultures seem to agree on this: between seasons, the spirit world approaches our material world, so wandering spirits get too close for comfort. Thus, people had to come up with ways to ward them off.
Setsubun has its origins in the Chinese rituals of tsuina, but it got to its current form during the Muromachi period (1336-1573). Aristocratic households would throw beans into the open air to drive evil spirits out of their home. The practice apparently originates from a legend about a monk on Mt. Kurama, Kyoto (THE hub for a lot of demon legends) that blinded a demon with beans to escape him. The word for bean, “mame” (豆) is pronounced the same way as “demon’s eye” (魔目) and the word is close enough to “mametsu” (魔滅), meaning “destruction of evil”. Hence, the connection between beans and demons.
From the Edo period onward (1603-1867), the practice became a standardized tradition to ward off evil. The ritual is called “mamemaki” (豆まき, bean scattering) and people throw roasted soybeans (fukumame, 福豆, fortune beans) out of the front door. In a somewhat more fun version, the male head of the household will wear an ogre mask and people get to pelt him with beans to drive him out of the house. Either way, people chant “Devils out! Fortune in!” (Oni wa soto! Fuku wa uchi! 鬼は外! 福は内！) to welcome in good luck, while driving out the ill-intentioned demons. Alternatively, you can join in the festivities at a Shinto shrine or Buddhist temple, where the priests will throw beans at attendees; in the bigger venues, celebrities and sumo wrestlers are invited to join in and the events are televised; and, in Kyoto, the festivities also include dances performed by geisha apprentices.
There are other, less known practices, like tying roasted sardine heads to holly sprigs and affixing them to the gate of a house, in order to scare away the demons; or eating a soybean for each year of one’s life, plus one to count in the good luck of the next year; or, you could eat an over-stuffed, long sushi roll in total silence, while facing in the direction determined to be lucky that year (a custom popularized by convenience stores in recent years.)
(Fun fact, in case you’ve encountered this in your Japanese folk/pop culture content: Watanabe no Tsuna, an imperial retainer, is known for slaying a bunch of powerful demons, so families with the surname Watanabe don’t need to practice the ritual, because it’s believed that demons will instinctually stay away from any mention of that name.)
Okay, the bean-pelting is good and all that, but we cannot talk about Setsubun without talking about the protagonists of this auspicious day: oni. They’re a kind of yokai (evil spirit), demon, orc, ogre, or troll in Japanese folklore, their own species of supernatural being in itself. The traditional depiction of oni is as murderous, man-eating monsters hell-bent on causing humans all sorts of trouble, either through trickery or direct violence. In recent years, that depiction seems to have softened somewhat, with folktales about them performing good deeds spreading, as well as their connection to bringing in good fortune.
These horned supernatural creatures have become mainstay figures of Japanese culture, so, of course, they couldn’t be missing from BL! In honor of Setsubun, here are a few works on the Renta! catalog that are all about spicy demon shenanigans:
After Suoh, a struggling novelist, pawns a tiny box that was a family heirloom, his already poor luck takes a turn for the worse. First he trips, then all the money he got scatters in the wind, then he almost gets hit by a truck only to wake up in a strange old man’s house. Taking pity on him, the old man offers him a place to stay—but it turns out this house holds the same demon who’s been haunting his dream. When Suoh accidentally frees him, the demon Jin is desperate to get his powers back—by “devouring” Suoh’s “lifeforce” AKA drinking his bodily fluids. Thus starts a home life where Suoh is desperately dodging Jin’s attempts to pin him down and jerk him off. However, as Suoh sees more of Jin’s softer side as the demon protects him from all the ghouls lured in my his scent, he finds himself disliking Jin’s advances less and less.
Kurama, a goblin and guardian of the mountain, simply wants to maintain the beauty and peace of his home. One day, he stumbles into the abode of an intimidating gang of demons who have moved to the mountain, and quickly finds out they’re not as scary as they seem. In addition, he is struck by the beauty and kindness of their leader, Hijiri, and falls in love at first sight. But that night, as he’s patrolling the mountain and reveling in the bliss of his newfound crush, he spots his “pure and gorgeous” Hijiri getting railed by another member of his gang. Heartbroken but undeterred, Kurama decides to shoot his shot with the sexy demon, but is Hijiri ready to embrace his feelings…?
(As a personal recommendation note, the demon bottom is basically the BL embodiment of the Big Tiddy Goth GF meme and I cannot get enough of him He wears BLACK NAIL POLISH, I TELL YOU.)
Legendary author of the “Reamed on Livestream” series Merino is back at it again, this time with a new — and very unique — take on the famous Japanese legend of Momotarou, the boy born from a peach. In this BL iteration of the brave children’s story hero, Momotarou is a hedonistic and sadistic playboy who can’t be assed to do much of anything but is extremely horny all the time. Alongside him you’ll also find all the familiar characters from the classic tale, such as Momotarou’s dog, monkey, and pheasant companions, and of course the demons of Demon Island — one of which Momotarou sets his sights on, and proceeds to torture in every kinky way you can imagine. If a tanned tsundere ogre in a tank top and shorts being tied up, humiliated, and ravaged from all directions by the king of DGAF (unless fucking is involved) sounds up your alley, be sure to check it out.
Hot and stylish, this is all about the star-crossed romance between a demon and a human, narrated with tons of sexiness and humor. The Onigami Shrine is dedicated to the worship of demons, who access the physical world through a sacred tree and protect the local human community. Higure, the son of the family tasked with protecting the shrine, is up for a surprise when he turns eighteen, as the sky darkens, thunder booms, and a young demon appears in front of him with a proposal—to make Higure his wife! Well, thing is, Higure does want to get married to Kouen, the demon he had met in childhood and has been in love with ever since, but… not quite the way Kouen had in mind. In an art-style and character designs similar to shonen manga (unsurprisingly, as Yusatona is a huge fan of my own favorite Boku no Hero Academia, if their second Twitter is any proof) , this story is definitely recommended as a first foray into spicy BL; the folklore underlining the plot is an added bonus. All the demons featured are fleshed-out with entertaining personalities, which makes me hope we could see more of them… but the series seems to be at an indefinite hiatus on chapter 3. *sniff* Still, for a quick and easy fix of steamy BL, Yusatona’s human x oni couple’s got you covered.
Gay edit of this meme by u/olafl on Reddit. Animu added by yours truly
Anime has been an important piece of BL fandom for decades, and thanks to online streaming services, it’s now more accessible to overseas fans than ever! Plus, the popularization of simulcasts in recent years has made it so that fans the world over can watch shows basically in real time together each week, and revel in the joy of screaming their reactions with fellow fans over social media.
As much as I love reading the original manga of my favorite series, there’s just something so special about seeing the world in full color, hearing the characters speak, and getting new tunes in the form of those catchy OP and ED songs to add to your playlist each season!
When it comes to BL anime adaptations for television or the big screen, sadly the number of new works coming out each year is but a teeny tiny fraction of the plethora of manga being released, and they’re typically but a blip on the radar to anime fandom at large. However, that just makes it extra exciting when a new BL anime is released! Not only is it fun for established fans of a manga to see their favorite characters and scenes animated, but anime adaptations are also a great way to introduce even more people to the original series, thus adding to the overall hype for a title and growing the BL community as a whole. A win-win for everybody!
It’s a new year and a new anime season is upon us, so I figured I’d give a quick rundown of all the BL anime we can expect this year — as well as a few potential projects in the works that are definitely worth keeping your eye on
It’s the end of the year again, and for the hardcore otaku here in Japan, that means another Winter Comiket.
For the uninitiated, Comiket (short for Comic Market, コミックマーケット Komikku Maaketto in Japanese) is known as the largest fan convention worldwide, held twice a year (in the summer and winter) at Tokyo Big Sight. It’s famous for its gargantuan marketplace of doujinshi, or self-published comics — often created as fanart — catering to fans of nearly every side of manga and anime fandom imaginable. But the fun isn’t limited to indie works — you can find established pros and industry giants setting up shop here as well, often putting out exclusive merch just for Comiket attendees. Plus, it’s a major event in the cosplay sphere as well, so you can enjoy seeing your “favorite characters” walking around in real life all day! To learn more, and to get an inside look at the overall vibe of the event, you can check out this official English presentation prepared by the event organizers!
Perhaps you’re planning to attend this upcoming Comiket, or you dream of one day experiencing it for yourself and want to gear up with the essential knowledge beforehand. And so, as one geek lightly seasoned in attending fan events here in Japan, I’ve attempted to put together a little guide to help you out!
By the way, the tips here don’t apply only to Comiket, but smaller doujin events as well. I hope it’ll come in handy if you ever want to dip your toes in this unique part of otaku culture!
If you’ve spent a good amount of time in the spicier part of Japanese BL fandom, it’s likely that you’ve encountered some form of censorship. A dick scratched out here, a hole whited out there — basically anything to keep the images from being completely explicit. It may have left you wondering, in a genre focusing on guy-on-guy romantic and sexual relationships, why is there nary a peen to be seen?
Inquiring minds NEED to know.
This phenomenon isn’t unique to Japan, though – it’s also present in Korean webtoons, for example, and other adult-oriented media in countries where anti-obscenity or anti-pornography laws exist.
It begs the questions: what rules are in place, if any, that keep us from enjoying our pr0nz in their uncensored glory? And, what point even is there if the intended audience is over 18 anyway, and we already know full well what’s going on behind those teeny tiny censorship bars?
I decided to take a trip down the rabbit hole and explore this sometimes annoying, often confusing, yet in some ways necessary aspect of BL and share my findings with you all. Please note that this article pertains to Japanese BL manga specifically — it’s the type I’m most familiar with, dealing with it on a daily basis for work and enjoying it in my free time as well. The censorship landscape may look different in other countries and across different media, so this is but a small case study!
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