Blooming cherry blossoms be damned, Japan has been in a rainy mood lately. It’s probably the kind of situation when most people would like to indulge in something uplifting, like a comedy or happy song; but, if you’re anything like me, you prefer to consume media that affirm the rainy season tenfold. That’s sometimes the appeal of sad, dark stories, after all. Which is why this humble purveyor of angst embarked on another exploration through the Renta! catalog, not to find our many cute, sweet, domestic, sexy omegaverse manga, but the stuff that shows people utterly under the thumb of a society governed by biological urges.
Which means of course, here’s a hefty content warning for the most ruthless things omegaverse might offer—if you’re looking for something to scatter the rainclouds rather than darken them, how about Sou’s April Fool’s post?
Kaoru Watanabe’s work was first introduced to me through my job at Renta!, quite early in my career here. When I was first assigned her I Might Be Your Fan, But I’ll Never Fall For you!, my first impression was that her art is incredibly unique and beautiful, but her characters weren’t necessarily to my tastes. However, after starting to read it, I was hooked—their personalities made me fall in love with her characters, and eventually I came to love both them and the storytelling so much that my own tastes didn’t even matter—or more like, my tastes evolved to include “anything by Kaoru Watanabe.” I’ve now read everything by her that I can get my hands on.
Thus, I want to introduce you all to the BL powerhouse that is Kaoru Watanabe.
If I had to sum up the intense appeal of Kaoru Watanabe’s work in one word, it would simply be: “sensuality.” Her stories have a lot of humor to them, and great pacing and comedic timing. But when it comes to the relationships, it’s truly the push and pull of their feelings and biases and fears and desires that truly makes Kaoru Watanabe’s work. This adds a lot of sensuality to her stories, because things tend to move quite slow between her characters—in their relationships, as well as in the bedroom.
It’s not like I have a particular preference for omegaverse. I don’t really go out of my way to find it. It finds me. That’s how I’ve come to review omegaverse works twice on our sweet BLog. So, I guess, why not also tackle one of its many offshoots, the Dom/Sub-verse? I mean, as an afficionado of the darker stories that romance has to offer, clear-cut dom/sub dynamics aren’t just music to my ears, but the additional element of mind-control is the cherry on top of the fucked-up yet oh-so-delicious cake that this trope could be.
So, considering that I recently discovered Fuyu Touji’s“My Bias is a God!?” (coming on English Renta! soon) I decided to explore the Dom/Sub-verse through their previous work, “Pain, Sweet Pain” which has been in my reading list forever. Just as the title implies, this story is both sweet and painful, so join me if you’re down for that.
That’s right. We’re talking, once more, about what’s building up to be a masterpiece by author Yanase Seno (stylized in lower case), “Double Beastly Trouble”: the tale of two beast-men joining the military so as to reach the top… and to harass a deeply troubled young man. We’re not too many chapters in so far, be it in Japan or our English release, and yet it’s already sucked me in with its multi-dimensional characters, the developing mysteries around their relationships, and the unassumingly delicate world-building that promises so much more to come.
If my prior mini-rant on this fantastic story left a lot to be desired, come with me to delve even deeper into this tale of military power struggles and hot, but also adorable nekomimi (‘cat’, in this case, ‘beast-eared’) men.
Below be spoilers, so don’t go rummaging like these two >:0
We’re in the heart of winter here in Tokyo, and the days are cold and… wet, with little snow but plenty of rain . What with the cloudy skies and frigid air, I think it’s the perfect weather to snuggle up inside with a cup of hot cocoa (or your beverage of choice) and some good BL. My BL tastes lean towards the feel-good and fuzzy-inducing, so anything on the fluffy side would probably be my go-to for days like these.
One BL artist in particular that comes to mind when I think of soft, comforting, and heartwarming BL is Toworu Miyata — a quickly rising star in the BL manga world, some of whose works have just recently become available in English through Animate International. I couldn’t be happier about this, as I’ve been a fan of theirs for a while myself, and I’m sure there are plenty of readers across the world who will adore Miyata-sensei’s cute and touching manga.
Today I’d like to spotlight two of their works — plus a fun bonus chapter — which are now available in English. Hopefully by the end you’ll understand why I think reading Miyata-sensei’s manga feels like drinking a nice, warm cup of cocoa on a cold day. If fluff is your game, you’re in for a treat!
It’s the beginning of February, and you know what this means—it’s the beginning of spring! Uh, wait, no. Or, actually, yes. According to the old lunar calendar in Japan, the 3rd of February (or the 2nd, every four years) marks the separation of Winter and Spring, and is thus called setsubun (節分、”seasonal division”). The next day is officially considered the first day of spring, which is often associated with new beginnings, much as the New Year itself. So Setsubun, as a festival, has a lot to do with cleansing the previous year, to carry on into spring with good fortune.
But there’s also something sinister that happens during this crossing point from one season to the next, and, considering festivals like Walpurgisnacht and such, various cultures seem to agree on this: between seasons, the spirit world approaches our material world, so wandering spirits get too close for comfort. Thus, people had to come up with ways to ward them off.
Setsubun has its origins in the Chinese rituals of tsuina, but it got to its current form during the Muromachi period (1336-1573). Aristocratic households would throw beans into the open air to drive evil spirits out of their home. The practice apparently originates from a legend about a monk on Mt. Kurama, Kyoto (THE hub for a lot of demon legends) that blinded a demon with beans to escape him. The word for bean, “mame” (豆) is pronounced the same way as “demon’s eye” (魔目) and the word is close enough to “mametsu” (魔滅), meaning “destruction of evil”. Hence, the connection between beans and demons.
From the Edo period onward (1603-1867), the practice became a standardized tradition to ward off evil. The ritual is called “mamemaki” (豆まき, bean scattering) and people throw roasted soybeans (fukumame, 福豆, fortune beans) out of the front door. In a somewhat more fun version, the male head of the household will wear an ogre mask and people get to pelt him with beans to drive him out of the house. Either way, people chant “Devils out! Fortune in!” (Oni wa soto! Fuku wa uchi! 鬼は外! 福は内！) to welcome in good luck, while driving out the ill-intentioned demons. Alternatively, you can join in the festivities at a Shinto shrine or Buddhist temple, where the priests will throw beans at attendees; in the bigger venues, celebrities and sumo wrestlers are invited to join in and the events are televised; and, in Kyoto, the festivities also include dances performed by geisha apprentices.
There are other, less known practices, like tying roasted sardine heads to holly sprigs and affixing them to the gate of a house, in order to scare away the demons; or eating a soybean for each year of one’s life, plus one to count in the good luck of the next year; or, you could eat an over-stuffed, long sushi roll in total silence, while facing in the direction determined to be lucky that year (a custom popularized by convenience stores in recent years.)
(Fun fact, in case you’ve encountered this in your Japanese folk/pop culture content: Watanabe no Tsuna, an imperial retainer, is known for slaying a bunch of powerful demons, so families with the surname Watanabe don’t need to practice the ritual, because it’s believed that demons will instinctually stay away from any mention of that name.)
Okay, the bean-pelting is good and all that, but we cannot talk about Setsubun without talking about the protagonists of this auspicious day: oni. They’re a kind of yokai (evil spirit), demon, orc, ogre, or troll in Japanese folklore, their own species of supernatural being in itself. The traditional depiction of oni is as murderous, man-eating monsters hell-bent on causing humans all sorts of trouble, either through trickery or direct violence. In recent years, that depiction seems to have softened somewhat, with folktales about them performing good deeds spreading, as well as their connection to bringing in good fortune.
These horned supernatural creatures have become mainstay figures of Japanese culture, so, of course, they couldn’t be missing from BL! In honor of Setsubun, here are a few works on the Renta! catalog that are all about spicy demon shenanigans:
After Suoh, a struggling novelist, pawns a tiny box that was a family heirloom, his already poor luck takes a turn for the worse. First he trips, then all the money he got scatters in the wind, then he almost gets hit by a truck only to wake up in a strange old man’s house. Taking pity on him, the old man offers him a place to stay—but it turns out this house holds the same demon who’s been haunting his dream. When Suoh accidentally frees him, the demon Jin is desperate to get his powers back—by “devouring” Suoh’s “lifeforce” AKA drinking his bodily fluids. Thus starts a home life where Suoh is desperately dodging Jin’s attempts to pin him down and jerk him off. However, as Suoh sees more of Jin’s softer side as the demon protects him from all the ghouls lured in my his scent, he finds himself disliking Jin’s advances less and less.
Kurama, a goblin and guardian of the mountain, simply wants to maintain the beauty and peace of his home. One day, he stumbles into the abode of an intimidating gang of demons who have moved to the mountain, and quickly finds out they’re not as scary as they seem. In addition, he is struck by the beauty and kindness of their leader, Hijiri, and falls in love at first sight. But that night, as he’s patrolling the mountain and reveling in the bliss of his newfound crush, he spots his “pure and gorgeous” Hijiri getting railed by another member of his gang. Heartbroken but undeterred, Kurama decides to shoot his shot with the sexy demon, but is Hijiri ready to embrace his feelings…?
(As a personal recommendation note, the demon bottom is basically the BL embodiment of the Big Tiddy Goth GF meme and I cannot get enough of him He wears BLACK NAIL POLISH, I TELL YOU.)
Legendary author of the “Reamed on Livestream” series Merino is back at it again, this time with a new — and very unique — take on the famous Japanese legend of Momotarou, the boy born from a peach. In this BL iteration of the brave children’s story hero, Momotarou is a hedonistic and sadistic playboy who can’t be assed to do much of anything but is extremely horny all the time. Alongside him you’ll also find all the familiar characters from the classic tale, such as Momotarou’s dog, monkey, and pheasant companions, and of course the demons of Demon Island — one of which Momotarou sets his sights on, and proceeds to torture in every kinky way you can imagine. If a tanned tsundere ogre in a tank top and shorts being tied up, humiliated, and ravaged from all directions by the king of DGAF (unless fucking is involved) sounds up your alley, be sure to check it out.
Hot and stylish, this is all about the star-crossed romance between a demon and a human, narrated with tons of sexiness and humor. The Onigami Shrine is dedicated to the worship of demons, who access the physical world through a sacred tree and protect the local human community. Higure, the son of the family tasked with protecting the shrine, is up for a surprise when he turns eighteen, as the sky darkens, thunder booms, and a young demon appears in front of him with a proposal—to make Higure his wife! Well, thing is, Higure does want to get married to Kouen, the demon he had met in childhood and has been in love with ever since, but… not quite the way Kouen had in mind. In an art-style and character designs similar to shonen manga (unsurprisingly, as Yusatona is a huge fan of my own favorite Boku no Hero Academia, if their second Twitter is any proof) , this story is definitely recommended as a first foray into spicy BL; the folklore underlining the plot is an added bonus. All the demons featured are fleshed-out with entertaining personalities, which makes me hope we could see more of them… but the series seems to be at an indefinite hiatus on chapter 3. *sniff* Still, for a quick and easy fix of steamy BL, Yusatona’s human x oni couple’s got you covered.
TW: yandere trope as a whole; emotional, physical and sexual abuse
In my endless rant about yandere BL, the manga that I gave the most love to was Sanayuki Sato’s “The Prefect’s Private Garden” which I can describe confidently as a masterclass in how to write yandere angsty romance. I’m biased, because the story includes a bunch of tropes I adore (TsukihitoTsukihitoTsukihi—), but, to borrow wise words from Sou, you know when you find a manga that hits just right?
When I heard we’d be getting a Momose An title on the site, I was personally ecstatic. I’m not sure how well-known she is in the West, but Momose An is currently an incredibly popular BL mangaka in Japan. She has two smash-hit, long-running series, Naka Made Aishite (Yuzuriha, my love… I use your LINE stamps every day…) and Osananajimi ja Gaman Dekinai, and her series Shitasaki kara Koi was highly influential for the cakeverse genre. I haven’t seen much fanfare for her overseas, and from what I can tell none of her other stories have been licensed.
Look at Me. is actually one of Momose An’s earliest titles. Published in 2017, you can tell she was still coming into her art style at the time, as this is quite different from the angular and boyish characters she currently draws—but the essence of her style still remains (particularly when she draws the side-views of characters). The art is softer and rounder, but still equally a joy to look at.
The story of Look at Me. centers around childhood friends Kyosuke and Saku. Saku was beautiful from birth, with a gentle and feminine face, so Kyosuke initially mistook him for a girl. Most people, in fact, mistook him for a girl—and were often disappointed to find he wasn’t. Not Kyosuke, though—young and blunt, Kyosuke didn’t care one way or another if Saku was male or female. But unfortunately, Kyosuke was too young to save Saku from an adolescence of trauma, isolation, and loneliness.
Next up in our series of reviews spotlighting some of the manga included in our “Stunning Art Sale” is a manga that’s all about art and finding the beauty in life.
Sorato’s Fill in Coloris a nice blend of cute and awkward boys, fun dramatic irony, and steamy goodness all wrapped up in some gorgeous art.
Our story opens with Saki (the blonde dude on the cover there), a young man working as a freelance designer, trying to drink his woes away after a disappointing meeting with his latest client. Anyone who’s worked in a creative field where your own personal vision is constantly at the mercy of the demons of capitalism should be able to relate to his struggle
On his way home, he runs into a beautiful young man with stunning red hair — stopping him right in his tracks.
Read on to find out how the spontaneous romance between these two develops into something beautiful and meaningful — just like a work of art.
Touched after seeing Masafumi Tsurumi’s painting, “Prostitute in Agony,” in the hallway of their art high school, Kei Higuchi seeks out the other boy to get to know him and pick his brain. While Tsurumi is struggling to paint his vision for his graduation project of the same theme, Higuchi is willing to do anything in his power to assist, hopeful to see Tsurumi’s art at its peak. But Tsurumi is a virgin high school boy—how in the world is he supposed to understand and express the feelings of a proustite as she’s in the throes of passion, being sexually dominated and overcome by pleasure? Thus, when Tsurumi drags Higuchi to the nurse’s office, Higuchi should have seen it coming when Tsurumi requests, “touch me like you’d touch a woman.”
Thus starts their mutually beneficial relationship. By fooling around together, Tsurumi gets to feel what it’s like to be dominated by a man—constantly asking Higuchi to go further and further with him—and perhaps they’ll both find some further inspiration for their upcoming graduation projects while also experiencing real sexual pleasure for the first time.
As Higuchi finds himself catching feelings, though, he’s not sure what to do. Tsurumi is very free-spirited (and honestly rather dumb) and entirely focused on his painting, so he doesn’t seem like the the type to involve his emotions in this kind of situationship. Meanwhile, Tsurumi is secretly finding himself yearning for Higuchi less as an object of inspiration and more as simply an object of desire—at what point does his LARP as a female prostitute end, and his real sexual appetite as a young man begin?
. What with the cloudy skies and frigid air, I think it’s the perfect weather to snuggle up inside with a cup of hot cocoa (or your beverage of choice) and some good BL. My BL tastes lean towards the feel-good and fuzzy-inducing, so anything on the fluffy side would probably be my go-to for days like these.
He wears BLACK NAIL POLISH, I TELL YOU.)
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