Spring is here! To many people that means the scent of melting snow, the blooming of flowers surrounded by freshly green leaves, beautiful warm weather, cute spring clothes, the excitement as summer approaches, etc. etc. but for me…
I unfortunately had to miss J.GARDEN 56 due to going back to the States for the first time in two years, which was devastating (though, nice to see my family and enjoy Minnesota’s fall weather), but thankfully Sou was there to step in and pick up all the books I wanted. (Including all of Jiro Kawaii’s!) Either way, I’m stoked for J.GARDEN 57.
Those who frequent Twitter will have likely seen their favorite Japanese BL artists sharing their artwork with a little text/QR code. For those who’ve wondered what the heck the code is for, it’s for a trend that’s becoming more and more common in recent years: Net Prints!
BL Award Net Prints by Cafeco Fujita, HANASAWA NAMIO, Suzumaru Minta, Rin Teku, and Guri Nojiro
Net Prints (ネットプリント or ネプリ/ネップリ) is the shortened version of Network Prints (ネットワークプリント). This is a feature where you can upload images to the networks of various conbini (コンビニ, or convenience stores), and then print them for the standard printing fee at your leisure next time you’re there to buy a snack or pay your bills. They’re most commonly shared through Lawson and Family Mart, which appear to share the same network and are thus particularly convenient. Originally intended to make it easy to print personal photos without having to bring in an SD card or flash drive, it’s instead become popular within fujoshi fandoms as a way to share and disseminate artwork for postcards, prints, polaroids, and stickers of your favorite characters and fandoms. Being able to share physical artwork and prints with fellow fans used to be something artists could only do at doujinshi events, but with Net Prints if they share the code, the artwork can be printed nationwide with no extra effort necessary on the part of the artist.
While this used to be mostly relegated to fanart, over the last year it’s been exploding in popularity with commercial BL artists and publishers as well. Net Prints have become a really fun addition to pretty much anything worth celebrating: artists will post them when they release a tankoubon, or when a reprint or continuation is announced, or when a drama or anime adaption is coming out, etc. During the announcements for ChillChill BL Awards, tons of artists were posting Net Prints to celebrate placing in the finals, so you bet I spent my evening after work at Family Mart inputting code after code to enjoy nice, glossy photo prints of all my favorite BL mangaka’s artwork.
As someone who spends a lot of time in Japanese 女性向け (joseimuke, or female-oriented) spaces and also consumes a lot of BL, one thing I really enjoy is how BL manga very frequently reflects what’s going on in those circles—what themes are popular, what fashions are getting big, social concerns women are dealing with (have you ever wondered why JP Omegaverse is significantly more about social issues than hot breeding kink sex…?), etc. But it’s not just these themes and styles, but overarching trends in popular culture that suddenly start showing up as well. And in this case, the one I want to talk about is:
Shikinagi Akira and Hayase Sou discuss their fav BL tropes
Vtubers.
I’m not super open about it, but I’m a Vtuber fan. I’m not as big into them as I used to be—back during the pandemic it was my (and many other people’s, I believe) main fandom. My cat is named after Saegusa Akina. I cried so hard and for so long on the day Mayuzumi Kai graduated that I wished I could call into work the next day but instead went in looking like I’d been punched in the face. I attended the Nijirock concert back in 2021 as well as Fantasia in 2022. Unfortunately, I’m not super acquainted with the newer gens, and I have much less time to watch them now that we no longer work from home, but Vtubers and streamers still hold a special place in my heart for making living alone during the pandemic significantly more bearable.
And the fun thing for me is that many BL mangaka seem to feel the same. When they aren’t drawing Vtuber fanart on their side accounts, BL manga about streamers (and Vtubers to a lesser degree) has exploded in the last couple years, so I wanted to write about the collision of these two things I love.