Author: ames

I love BL manga and cats and cool weather.

BL Event Report!: ChillChill Festival 2024

~ ames ~ 3 Comments

On April 6th, Sou and I had the honor of attending two separate talks at ChillChill Festival! What is ChillChill Festival? What did the talks entail? And why the heck were we able to go? Read on and you’ll find out! Morning after party

On a Friday in mid-March, our coworker Snow (also a participant in the Renta! Staff BL Awards 2023) suddenly approached me after the weekly company-wide meeting and asked if I’d heard of “ChillChill Festival.” Spurred on by my confused post-hour-long-meeting look, she brought up the event page and told me tickets were available through work, since our main Japanese branch is a sponsor of the ChillChill BL Awards. We were allowed to pick two talks, and attend them with one friend if we so desired.

While I would have loved to bring my friend Merry (interviewed on the BLog here), she was unable to come. So, I was thinking I’d go alone—until I brought it up with Sou. Since they’re also a huge fan of Kishimoto-sensei (we discuss her adorable tweets regularly), they said they’d be interested in coming with. Thus, I requested two tickets each for “Discussing the Frontlines of BL Trends” (BLトレンド最前線を語る) featuring Kishimoto, Satou Sugar, and Teku Rin, and “BL Fetishism in the Reiwa Era” (令和のBLフェティシズム) featuring Okita Yuuho, Nikuya Inui, bov, and Yukiharu.

However, before we go into the day of the actual event, let’s discuss ChillChill, and the history of ChillChill Festival!

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Artist Spotlight: Kaoru Watanabe

~ ames ~ 2 Comments

Kaoru Watanabe’s work was first introduced to me through my job at Renta!, quite early in my career here. When I was first assigned her I Might Be Your Fan, But I’ll Never Fall For you!, my first impression was that her art is incredibly unique and beautiful, but her characters weren’t necessarily to my tastes. However, after starting to read it, I was hooked—their personalities made me fall in love with her characters, and eventually I came to love both them and the storytelling so much that my own tastes didn’t even matter—or more like, my tastes evolved to include “anything by Kaoru Watanabe.” I’ve now read everything by her that I can get my hands on.

Thus, I want to introduce you all to the BL powerhouse that is Kaoru Watanabe.

Read on Renta!:
I Might Be Your Fan, but I’ll Never Fall for You!
Lovingly Cruel Services

Release List:
ビッチ受け～純情リーマン×ヤリ捨てBitch～
推しには絶対ほだされない！
恋するサディスティックサービス
はるかといつか
ディア・マイ・ヴァンパイア
ミルクなきみとビターな彼

If I had to sum up the intense appeal of Kaoru Watanabe’s work in one word, it would simply be: “sensuality.” Her stories have a lot of humor to them, and great pacing and comedic timing. But when it comes to the relationships, it’s truly the push and pull of their feelings and biases and fears and desires that truly makes Kaoru Watanabe’s work. This adds a lot of sensuality to her stories, because things tend to move quite slow between her characters—in their relationships, as well as in the bedroom.

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VTubers and BL Trends

~ ames ~ 1 Comment

As someone who spends a lot of time in Japanese 女性向け (joseimuke, or female-oriented) spaces and also consumes a lot of BL, one thing I really enjoy is how BL manga very frequently reflects what’s going on in those circles—what themes are popular, what fashions are getting big, social concerns women are dealing with (have you ever wondered why JP Omegaverse is significantly more about social issues than hot breeding kink sex…?), etc. But it’s not just these themes and styles, but overarching trends in popular culture that suddenly start showing up as well. And in this case, the one I want to talk about is:

Shikinagi Akira and Hayase Sou discuss their fav BL tropes

Vtubers.

I’m not super open about it, but I’ｍ a Vtuber fan. I’m not as big into them as I used to be—back during the pandemic it was my (and many other people’s, I believe) main fandom. My cat is named after Saegusa Akina. I cried so hard and for so long on the day Mayuzumi Kai graduated that I wished I could call into work the next day but instead went in looking like I’d been punched in the face. I attended the Nijirock concert back in 2021 as well as Fantasia in 2022. Unfortunately, I’m not super acquainted with the newer gens, and I have much less time to watch them now that we no longer work from home, but Vtubers and streamers still hold a special place in my heart for making living alone during the pandemic significantly more bearable.

And the fun thing for me is that many BL mangaka seem to feel the same. When they aren’t drawing Vtuber fanart on their side accounts, BL manga about streamers (and Vtubers to a lesser degree) has exploded in the last couple years, so I wanted to write about the collision of these two things I love.

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“Picnic at Dawn” Lullaby of the Dawn Cafe Report

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Aside from the fact that I’m allowed to openly display BL goods on my work desk and read BL for large chunks of the day, another great part of working my job is that I get paid to attend BL conferences, conventions, and collab cafés. For this installment, I was allowed to stop by the Lullaby of the Dawn (夜明けの唄, or Yoake no Uta) collab at Manga10, a wonderful event and café space (‘ten’ sounds the same as 展, which means ‘exhibit’) that frequently hosts collabs for BL and other media popular with women.

A short summary for those who aren’t familiar with Lullaby of the Dawn:

To be a ‘kannagi’ is to give oneself up for the world, cutting one’s own lifespan short while protecting the land and its people against the black sea. Elva is one such kannagi, his limbs stained black since youth from battle after battle against the dark waves. When orphan Alto stumbles upon him, it’s the only time since becoming a kannagi that Elva isn’t looked at with scorn and fear, but instead with curiosity. Alto, seeing and understanding the loneliness in Elva, decides to stay with him—and somehow, Alto’s tenderness and touch over the years reverses the stains marring Elva’s body. Is this a sign that the lifespans of the kannagi don’t need to be sacrificed to the sea, or is there something larger at play…? And what role does Alto have in it?

Especially considering the fifth volume is currently on the way, it’s an incredibly plot-heavy BL with tons of intrigue, so if you’re a fan of such stories I can’t recommend it enough! Thankfully, volumes 1-3 have already been released by TOKYOPOP, with volume four hopefully coming soon. (Admittedly, some of the Japanese is rather specialized and difficult to understand, even as someone who usually reads in Japanese… Melting face So, I also super appreciate the TOKYOPOP version!) But, what I really love is that, even though the central plot is the freedom of the kannagi, Elva and Alto’s relationship doesn’t get sidelined, and there’s still lots and lots of great BL content for those who’re like me and prefer relationship development over driving action. This series is truly a good mix of both!

Also, can we just appreciate how beautiful Ichika Yuno’s art is? You know I’m incredibly hung up on Elva—with his tsundere personality and incredibly ethereal features, how could I not be? He’s stunning. Of course, Alto is also wonderful and is like a huge puppy-dog—incredibly kind to everyone around him, but intensely protective of Elva. The rest of the cast is also just amazing, and it’s so fun seeing everyone play off each other.

Anyway, because I’m a huge fan, and it’d been a while since we did a café report, I requested to go so I could write about it. I booked a reservation for March 10th, which was the last weekday available for the Tokyo café. (It’s now taking place in Osaka!) Thankfully, the weather was stunning, and I didn’t have too much outstanding work to be stressed over, so I went to Ikebukuro to take my lunch before heading over to the café.

Spring do be coming quick…
Continue reading ““Picnic at Dawn” Lullaby of the Dawn Cafe Report” →

J. Garden 55

~ ames ~ 3 Comments

Six months went by in a flash, and it’s already time for J.GARDEN 55! Regular readers of the BLog likely already know, but we attended J.GARDEN 54 as a business trip of sorts. This time I’ll be attending by myself just as a regular BL fan, so I won’t be writing another attendance report, but I figured I could still update everyone on who’ll be there, and which artists and books I’m personally super excited for.

Because the pamphlets sold out within a week last fall, I was careful to leave for Akihabara at 8AM on February 18th—I was going to be there at store open on the morning of the pamphlet being released, and I was going to get the damn thing. I went to Akihabara because it’s less popular with fujoshi than my usual haunt of Ikebukuro (land of the infamous Otome Road), and last year Akiba took way longer to sell out, so I wanted to go to Shosen Book Tower, an incredibly popular (and old) bookstore in Akihabara. However… the pamphlet wasn’t there lol. Ope. So I asked the staff, and they confirmed they WERE supposed to get a shipment in, but something went wrong and it was delayed.

Which was fine. Because you could also buy the pamphlet at Animate, and Animate Akihabara was only a few blocks away. (And I could look at Genshin goods while I was there…)

Tip that I actually didn’t know at the time (I spent a good ten minutes combing each floor with no sign of the pamphlet before asking the staff): pamphlets like this are actually generally kept behind the counter of the main floor. So if you’re ever in Japan and looking to purchase an event pamphlet, ask the staff first before wasting a bunch of time looking for it! (They’re very nice and helpful, and if you don’t speak Japanese just show the image on your phone and they’ll understand!)

Anyway, pamphlet obtained! Onto the actual content for the upcoming J.GARDEN 55!

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2/22 and Bottom Supremacy

~ ames ~ 6 Comments

Happy Cat Day! Or 猫の日 (neko no hi) as it’s called in Japan! As we’ve discussed previously on the blog, Japan loves to play word games with numbers (i.e. 8/01 or Yaoi Day, 11/29 or Good Meat Day, etc.), and 2/22 in Japanese can sound like nya-nya-nya, or the sound a cat makes. So, everywhere you look in Tokyo is currently covered in cats: the convenience store has tons of cat sweets and snacks and cat-related campaigns, department stores are hosting pop-up shops for cat-themed goods and toys and accessories, and shelters are obviously taking advantage of the cat festivities with fundraisers and adopt-a-thons! The weeks leading up to 2/22 are a very good time to love cats in Japan.

Family Mart mofusand cat coffee cups for Cat Day.

“What in the world does this have to do with BL manga?” you’re asking? Is this going to be a special about cat boys? How about beasts? Cats who can shape-shift into cute boys and fall in love with other cute boys? Or maybe about boys who love boys but who also love cats? BL where cats are heavily featured?

BZZZZT. You are incorrect.

Highly in-the-know people will probably already see where this is going: this is a post about bottom supremacy.

https://twitter.com/namiohana/status/1628226689246572545

As quite a few of you may know, the slang for someone who bottoms during gay sex, which originated in gay circles before slowly meandering into the BL consciousness, is neko (ネコ)—or, cat! Well, we actually can’t be certain if cats are the one-to-one reason for “neko” being used. When preparing for this post, I was reading quite a few theories online as to why neko is used to refer to bottoms. This article about gay slang points out the two most common reasons: it could come from pussycat/pussy (as in… women’s genitals… lovely), but it could also come from the Japanese word for a wheelbarrow, nekoguruma (because this is the way you might hold someone’s legs while you’re… umm… y’know). This article by drag queen and TV personality Mitz Mangrove about cats (in general) also discusses how cats are often seen as feminine in Japan which possibly is what led to neko having become the universal phrase for a man who bottoms.

https://twitter.com/kumakuma564/status/1760507204229058695

It appears the true reason neko has turned into the slang for ‘bottom’ is unknown, but the fact still remains: cats and bottoms are now linked.

As the resident number one cat lover and bottom absolutist in this town, I figured I would celebrate Cat Day by discussing uke archetypes, my favorite uke characters that are available on Renta!, and slip in a little cultural/language lesson for good measure.

黒猫黒猫黒猫

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ChillChill BL Awards 2024, and their Importance in the BL Landscape

~ ames ~ 4 Comments

It’s that time of year again! This past Friday, ChillChill opened voting for the 2024 BL Awards! But I figured there might be some of our readers asking:

“What is ChillChill?”
“What are the BL Awards?”
“Why does this even matter?”

…which is why I’ve decided to write a post about ChillChill, the BL Awards, the recent history of year-end BL best-of compilations, as well as this year’s nominee pool and what you can actually read on Renta! So let’s just jump right into it!

What is ChillChill (ちるちる)?

I feel like anyone even vaguely versed in Japanese BL fandom has heard of ChillChill—that’s the level of impact and importance the site has in the Japanese market. You can barely search a BL artist or title without the site popping up as one of the top results.

ChillChill came onto the scene in 2008, starting out as an indexing and community site. Essentially, it was the BL version of sites like MyAnimeList. You could build a profile, share your favs, post reviews, take part in discussions, find new recommendations through their intense tagging system (which I’ve also discussed briefly in my post about why our community tagging system is important), make friends with similar tastes, etc.

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“Look at Me.”: Identity & Acceptance

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Read it on Renta!:
Look at Me. by Momose An

Japanese Title:
俺を見て。
Ore wo Mite.

Links:
Momose An Twitter
Doodle Twitter
Momose An Pixiv

When I heard we’d be getting a Momose An title on the site, I was personally ecstatic. I’m not sure how well-known she is in the West, but Momose An is currently an incredibly popular BL mangaka in Japan. She has two smash-hit, long-running series, Naka Made Aishite (Yuzuriha, my love… I use your LINE stamps every day…) and Osananajimi ja Gaman Dekinai, and her series Shitasaki kara Koi was highly influential for the cakeverse genre. I haven’t seen much fanfare for her overseas, and from what I can tell none of her other stories have been licensed.

Look at Me. is actually one of Momose An’s earliest titles. Published in 2017, you can tell she was still coming into her art style at the time, as this is quite different from the angular and boyish characters she currently draws—but the essence of her style still remains (particularly when she draws the side-views of characters). The art is softer and rounder, but still equally a joy to look at.

The story of Look at Me. centers around childhood friends Kyosuke and Saku. Saku was beautiful from birth, with a gentle and feminine face, so Kyosuke initially mistook him for a girl. Most people, in fact, mistook him for a girl—and were often disappointed to find he wasn’t. Not Kyosuke, though—young and blunt, Kyosuke didn’t care one way or another if Saku was male or female. But unfortunately, Kyosuke was too young to save Saku from an adolescence of trauma, isolation, and loneliness.

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“Studio of Longing” by Haruyosi Hiro

~ ames ~ 1 Comment

Read it on Renta!:
Studio of Longing by Haruyosi Hiro

Japanese Title:
憧憬のアトリエ
Doukei no Atelier

Links:
Haruyosi Hiro Twitter

“Will you imagine I’m a woman and touch me?”

Touched after seeing Masafumi Tsurumi’s painting, “Prostitute in Agony,” in the hallway of their art high school, Kei Higuchi seeks out the other boy to get to know him and pick his brain. While Tsurumi is struggling to paint his vision for his graduation project of the same theme, Higuchi is willing to do anything in his power to assist, hopeful to see Tsurumi’s art at its peak. But Tsurumi is a virgin high school boy—how in the world is he supposed to understand and express the feelings of a proustite as she’s in the throes of passion, being sexually dominated and overcome by pleasure? Thus, when Tsurumi drags Higuchi to the nurse’s office, Higuchi should have seen it coming when Tsurumi requests, “touch me like you’d touch a woman.”

Thus starts their mutually beneficial relationship. By fooling around together, Tsurumi gets to feel what it’s like to be dominated by a man—constantly asking Higuchi to go further and further with him—and perhaps they’ll both find some further inspiration for their upcoming graduation projects while also experiencing real sexual pleasure for the first time.

As Higuchi finds himself catching feelings, though, he’s not sure what to do. Tsurumi is very free-spirited (and honestly rather dumb) and entirely focused on his painting, so he doesn’t seem like the the type to involve his emotions in this kind of situationship. Meanwhile, Tsurumi is secretly finding himself yearning for Higuchi less as an object of inspiration and more as simply an object of desire—at what point does his LARP as a female prostitute end, and his real sexual appetite as a young man begin?

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Shino Mikami’s “Pittosporum” and the Language of Flowers

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Read it on Renta!:
Pittosporum by Shino Mikami

Japanese Title:
ピットスポルム

Links
Shino Mikami Twitter (author)
comic picn Twitter (publisher)

According to Wikipedia, pittosporum is a species of flowering trees and shrubs with leaves that are “spirally arranged or whorled, simple” and flowers “produced singly or in umbels or corymbs, each flower with five sepals and five petals; they are often sweetly scented.” Both times I read Shino Mikami’s Pittosporum, it hadn’t actually occurred to me to even wonder what the name meant. When I looked it up for the review, however, Avas Flowers’ article on the pittosporum came up with the meaning: counterfeit and deceit.

Suddenly, a name for a BL manga that used to seem kind of silly and cute felt quite heavy and sad. Because at its core, Pittosporum is about deceit—deceiving the people around you, and, most importantly, deceiving yourself. And it’s the type of deceit many queer people, in particular, know all too well.

Pittosporum is the story of sweet, diligent Yano who’s worked hard to get into a fancy private school far from home. His family, whom he loves dearly, is incredibly poor so he needs to work hard to get good grades and upkeep his scholarship. A wrench is thrown into his perfect, peaceful high school life, however, when he’s suddenly placed in the dorms with Odajima. Odajima is the playboy rich kid who can get away with whatever he wants because his parents help fund the school. Skipping class, fooling around with female classmates and teachers alike… there’s nothing “serious” or “hardworking” about Odajima—at least not on the surface.

However, lurking below his nonchalant and sardonic exterior is a childhood of trauma and an adolescence of hiding his true self. There will be some spoilers below for much of Odajima’s backstory, and so I highly recommend reading the manga first before moving on to the second half of the review!! The manga itself will be a lot more powerful if you do. 😤

Continue reading “Shino Mikami’s “Pittosporum” and the Language of Flowers” →