Pride, BL, and LGBT Identity

I’ve gone back and forth on whether or not I wanted to post anything to the BLog for Pride Month. On the one hand, using Pride to push products is generally frowned upon, and this is a company blog, even if we’re still just discussing the things we love on it. And on another hand, BL manga isn’t technically 100% intended to be LGBT media and some people don’t like it being treated as such. But on another hand (yes, we have three hands), as a queer person whose love for BL manga is heavily entangled in my identity, I feel like it’s worth using this platform to discuss and highlight the queerness of BL as a genre and fandom (whether intentional or unintentional), and the queer communities that often spring up around BL.

I feel like the general surface-level understanding of BL manga is that it’s MLM stories by and for straight women. Which is partly true; it would be an outright lie to claim the intended demographic for BL isn’t, for the most part, women. BL started as a subgenre of shojo manga, and it’s still heavily associated with that niche. When you go to the BL section of most stores, 99% of the customers are women. The branding often uses colors associated with women and femininity. It’s also very common to refer to all BL fans as “fujoshi” without even considering there may be non-female fans as well.

However, I feel like most people who take part in fandoms around BL manga have realized… it’s kinda gay in here. It’s like that joke in queer circles where more and more of your friend group keep coming out as you get older, and it’s just kind of because queer people seem really good at intuitively finding each other—even if they don’t know it at the time. I’ve had a similar experience with my circle of BL friends.

So, let’s explore why this might be the case through the lens of my own journey. If BL isn’t an inherently LGBT media, and if it’s supposedly actually quite offensive to LGBT people and their experiences, then why do so many of it’s biggest fans and supporters end up being LGBT?

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Roji’s “All About My Two Dads” (Happy Father’s Day!)

Father’s Day has rolled around once again, and as we shared last year, we at RentaBLog love some daddies around here パーティの翌朝

I figured Father’s Day (which also falls during Pride month! 虹) would be the perfect occasion to introduce this series that recently hit the English market, centered around a pair of loving fathers and their adorable son.

Read on Renta!:
All About My Two Dads by Roji

Japanese Title:
ぼくのパパとパパの話
Boku no Papa to Papa no Hanashi

Links:
(Author) Roji’s Twitter
(Eng publisher) Animate International’s Twitter
(JP publisher) Libre’s Twitter

As you can probably guess from the title and cover alone, this is an extremely wholesome story about a perfectly normal family which just happens to consist of two dads and their son. It’s still a BL, though, so expect plenty of romantic scenes between two pretty boys in love to make your heart flutter — with a healthy serving of baby antics and “kids say the darnedest things” moments to brighten your day!

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Net Prints: The Why & How of This Fujoshi Fandom Phenomenon

Those who frequent Twitter will have likely seen their favorite Japanese BL artists sharing their artwork with a little text/QR code. For those who’ve wondered what the heck the code is for, it’s for a trend that’s becoming more and more common in recent years: Net Prints!

BL Award Net Prints by Cafeco Fujita, HANASAWA NAMIO, Suzumaru Minta, Rin Teku, and Guri Nojiro

Net Prints (ネットプリント or ネプリ/ネップリ) is the shortened version of Network Prints (ネットワークプリント). This is a feature where you can upload images to the networks of various conbini (コンビニ, or convenience stores), and then print them for the standard printing fee at your leisure next time you’re there to buy a snack or pay your bills. They’re most commonly shared through Lawson and Family Mart, which appear to share the same network and are thus particularly convenient. Originally intended to make it easy to print personal photos without having to bring in an SD card or flash drive, it’s instead become popular within fujoshi fandoms as a way to share and disseminate artwork for postcards, prints, polaroids, and stickers of your favorite characters and fandoms. Being able to share physical artwork and prints with fellow fans used to be something artists could only do at doujinshi events, but with Net Prints if they share the code, the artwork can be printed nationwide with no extra effort necessary on the part of the artist.

While this used to be mostly relegated to fanart, over the last year it’s been exploding in popularity with commercial BL artists and publishers as well. Net Prints have become a really fun addition to pretty much anything worth celebrating: artists will post them when they release a tankoubon, or when a reprint or continuation is announced, or when a drama or anime adaption is coming out, etc. During the announcements for ChillChill BL Awards, tons of artists were posting Net Prints to celebrate placing in the finals, so you bet I spent my evening after work at Family Mart inputting code after code to enjoy nice, glossy photo prints of all my favorite BL mangaka’s artwork.

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