VTubers and BL Trends

As someone who spends a lot of time in Japanese 女性向け (joseimuke, or female-oriented) spaces and also consumes a lot of BL, one thing I really enjoy is how BL manga very frequently reflects what’s going on in those circles—what themes are popular, what fashions are getting big, social concerns women are dealing with (have you ever wondered why JP Omegaverse is significantly more about social issues than hot breeding kink sex…?), etc. But it’s not just these themes and styles, but overarching trends in popular culture that suddenly start showing up as well. And in this case, the one I want to talk about is:

Shikinagi Akira and Hayase Sou discuss their fav BL tropes

Vtubers.

I’m not super open about it, but I’m a Vtuber fan. I’m not as big into them as I used to be—back during the pandemic it was my (and many other people’s, I believe) main fandom. My cat is named after Saegusa Akina. I cried so hard and for so long on the day Mayuzumi Kai graduated that I wished I could call into work the next day but instead went in looking like I’d been punched in the face. I attended the Nijirock concert back in 2021 as well as Fantasia in 2022. Unfortunately, I’m not super acquainted with the newer gens, and I have much less time to watch them now that we no longer work from home, but Vtubers and streamers still hold a special place in my heart for making living alone during the pandemic significantly more bearable.

And the fun thing for me is that many BL mangaka seem to feel the same. When they aren’t drawing Vtuber fanart on their side accounts, BL manga about streamers (and Vtubers to a lesser degree) has exploded in the last couple years, so I wanted to write about the collision of these two things I love.

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“Picnic at Dawn” Lullaby of the Dawn Cafe Report

Aside from the fact that I’m allowed to openly display BL goods on my work desk and read BL for large chunks of the day, another great part of working my job is that I get paid to attend BL conferences, conventions, and collab cafés. For this installment, I was allowed to stop by the Lullaby of the Dawn (夜明けの唄, or Yoake no Uta) collab at Manga10, a wonderful event and café space (‘ten’ sounds the same as 展, which means ‘exhibit’) that frequently hosts collabs for BL and other media popular with women.

A short summary for those who aren’t familiar with Lullaby of the Dawn:

To be a ‘kannagi’ is to give oneself up for the world, cutting one’s own lifespan short while protecting the land and its people against the black sea. Elva is one such kannagi, his limbs stained black since youth from battle after battle against the dark waves. When orphan Alto stumbles upon him, it’s the only time since becoming a kannagi that Elva isn’t looked at with scorn and fear, but instead with curiosity. Alto, seeing and understanding the loneliness in Elva, decides to stay with him—and somehow, Alto’s tenderness and touch over the years reverses the stains marring Elva’s body. Is this a sign that the lifespans of the kannagi don’t need to be sacrificed to the sea, or is there something larger at play…? And what role does Alto have in it?

Especially considering the fifth volume is currently on the way, it’s an incredibly plot-heavy BL with tons of intrigue, so if you’re a fan of such stories I can’t recommend it enough! Thankfully, volumes 1-3 have already been released by TOKYOPOP, with volume four hopefully coming soon. (Admittedly, some of the Japanese is rather specialized and difficult to understand, even as someone who usually reads in Japanese… Melting face So, I also super appreciate the TOKYOPOP version!) But, what I really love is that, even though the central plot is the freedom of the kannagi, Elva and Alto’s relationship doesn’t get sidelined, and there’s still lots and lots of great BL content for those who’re like me and prefer relationship development over driving action. This series is truly a good mix of both!

Also, can we just appreciate how beautiful Ichika Yuno’s art is? You know I’m incredibly hung up on Elva—with his tsundere personality and incredibly ethereal features, how could I not be? He’s stunning. Of course, Alto is also wonderful and is like a huge puppy-dog—incredibly kind to everyone around him, but intensely protective of Elva. The rest of the cast is also just amazing, and it’s so fun seeing everyone play off each other.

Anyway, because I’m a huge fan, and it’d been a while since we did a café report, I requested to go so I could write about it. I booked a reservation for March 10th, which was the last weekday available for the Tokyo café. (It’s now taking place in Osaka!) Thankfully, the weather was stunning, and I didn’t have too much outstanding work to be stressed over, so I went to Ikebukuro to take my lunch before heading over to the café.

Spring do be coming quick…
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Interview: three otaku discuss the origins of BL and sing Keiko Takemiya’s praises

Our Renta! BLog has already featured two articles that touch on the origins of BL, but how about a history and theory lesson presented by two amazing, fantastic, intelligent scholars? I’m not saying it because these two are my dear cohorts, but because they’re two of the most knowledgeable people I’ve ever met—especially when it comes to their field of expertise, popular culture and manga. So, I arranged a group call with this fabulous pair to discuss the deep, intriguing and sometimes complicated origins of BL, its roots in shojo manga and the feminist and sexual liberation movements, and its misunderstood image.

(Disclaimer: portions of the interview were edited after some technical mishaps, but I’ve retained the majority of it as we actually spoke, e.g. occassionally using Japanese surnames first, by habit. Also, I’ll be reusing some pictures from the BL exhibition.)

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J. Garden 55

Six months went by in a flash, and it’s already time for J.GARDEN 55! Regular readers of the BLog likely already know, but we attended J.GARDEN 54 as a business trip of sorts. This time I’ll be attending by myself just as a regular BL fan, so I won’t be writing another attendance report, but I figured I could still update everyone on who’ll be there, and which artists and books I’m personally super excited for.

Because the pamphlets sold out within a week last fall, I was careful to leave for Akihabara at 8AM on February 18th—I was going to be there at store open on the morning of the pamphlet being released, and I was going to get the damn thing. I went to Akihabara because it’s less popular with fujoshi than my usual haunt of Ikebukuro (land of the infamous Otome Road), and last year Akiba took way longer to sell out, so I wanted to go to Shosen Book Tower, an incredibly popular (and old) bookstore in Akihabara. However… the pamphlet wasn’t there lol. Ope. So I asked the staff, and they confirmed they WERE supposed to get a shipment in, but something went wrong and it was delayed.

Which was fine. Because you could also buy the pamphlet at Animate, and Animate Akihabara was only a few blocks away. (And I could look at Genshin goods while I was there…)

Tip that I actually didn’t know at the time (I spent a good ten minutes combing each floor with no sign of the pamphlet before asking the staff): pamphlets like this are actually generally kept behind the counter of the main floor. So if you’re ever in Japan and looking to purchase an event pamphlet, ask the staff first before wasting a bunch of time looking for it! (They’re very nice and helpful, and if you don’t speak Japanese just show the image on your phone and they’ll understand!)

Anyway, pamphlet obtained! Onto the actual content for the upcoming J.GARDEN 55!

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Rockin’ Out at a Given Concert IRL [BL Fan Diaries: Syh Concert]

The mega-popular BL train that is “Given” shows no signs of stopping yet; following the manga’s conclusion, a sequel series has just started running in Cheri+ magazine, and fans of the anime adaptation are raving about the latest theatrical release and already looking forward to the next one.

In my 2024 BL anime rundown, I wrote about how excited I was for the latest “Given” movie, “Hiiragi Mix,” which premiered on January 27th. I went to go see it opening weekend, and was blown away by the animation, the feels, and of course, the MUSIC.

More info about the next installment of the two-part movie series, which will presumably cover what’s left of the manga material, has also just been announced, with the title revealed to be “Umi e” (“To the Sea”)(@manga readers: If you know, you know 大声で泣いている), and scheduled to hit theaters in fall of this year. Two “Given” movies in one year?? We are truly blessed.

Concertgoer Sou (avoid looking directly into laser eyes)

But the “Given” magic doesn’t stop there. Now, one of my biggest passions in life (besides BL, of course) is music, and I’m thrilled when it intertwines with my other interests, such as anime. Plus, I’m a rocker at heart エモ and love to enjoy music live whenever I get the chance (fun fact: Alice and I attended the same punk rock festival last spring to see MCR, having no idea the other was present until after the fact びっくり). So, when I caught wind of an IRL concert of the tunes of “Given” — more specifically, highlighting the music of the in-universe band headed by Hiiragi called “Syh” — being held, it’s only natural that my interest was piqued.

Music is the heart and soul of “Given” (honestly, I can wholeheartedly recommend the soundtrack even if you’ve never read or watched the series because it just GOES so HARD), so seeing the in-universe music live felt like the next big step in my interaction with the franchise.

Read on for my experience as a BL fan getting to hear the music of one of my favorite series brought to life!

Continue reading “Rockin’ Out at a Given Concert IRL [BL Fan Diaries: Syh Concert]”