Beefcake Special (Happy Good Meat Day!)

For all lovers of BEEF — dinner is served!!

It’s finally cooled down a bit here in Tokyo, and the Christmas decorations lining all the shopping centers and Mariah Carey blaring from every store’s loudspeaker do a wonderful job of reminding me of the upcoming holiday season.

…But maybe you’re the type of person who wishes the holiday cheer could hold off for a bit longer, and prefers to savor the time between Spooky Season and the lively-but-potentially-exhausting year-end festivities. In which case, Japan’s got you covered!

As we briefly touched upon in our Yaoi Day post, Japan has lots of “special” days throughout the year, based on wordplay that’s possible with the Japanese pronunciation of a given date — and November 29th is one of these days! In Japanese, 1-1-2-9 can be pronounced いいにく (ii-ni-ku), which is a homonym for 良い肉 (also pronounced iiniku), which means “good meat.” As such, 11/29 has been designated “Good Meat Day” in Japan.

Unfortunately, as far as special days in Japan go, Good Meat Day isn’t really that big of a deal — beyond some meat vendors having special offers, or meat lovers treating themselves to a delicious, protein-rich meal よだれをたらしている顔ステーキ.

However, here at RentaBLog, we like to spice things up and take every opportunity to celebrate different aspects of Boys’ Love — and thus, I decided that on this day, we’d give the spotlight over to the beefy guys of BL, who make our hearts pound with their rippling muscles — the buffer, the better! 

Hope you’ve saved room for a feast, because meat is on the menu tonight!! カトラリー

Continue reading “Beefcake Special (Happy Good Meat Day!)”

Himemiko’s indescribably, unbelievably gorgeous “The Monster & The Ghost”

Read on Renta!:
The Monster & The Ghost by Himemiko

Japanese Title: Monster and Ghost
モンスターアンドゴースト

Himemiko’s twitter
Himemiko’s pixiv

There’s this huge store in Ikebukuro that’s floors and floors of anime and manga goods, even an exhibition space. Having moved to Tokyo recently, the first time I visited it isn’t that far back—so I very clearly remember the gorgeous artwork on the walls, advertising one particular BL manga that had recently released its first collected volume. I didn’t have time to stop and catch its name, but I did stare at the beautiful, realistic art, almost daydreaming every time I passed it by; then, I noticed that many other stores around Ikebukuro were advertising the exact same manga, so I knew it had to be a phenomenon in the making.  

When I saw a manga named “The Monster & the Ghost” in my work assignments, I let out a squeal of excitement at its cover, like, “OH! IT’S THAT MANGA!!!”

And I’m obviously not the only one who’s been entranced by this work since. Both Japan and overseas, people seem to be buzzing about this story—so, what is it about?

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Healing From Trauma’s Scars: tapon’s “Entwined in Red”

Read on Renta!:
Entwined in Red by tapon

Japanese Title:
Karamaru Himo no Akai Ato
絡まる紐の赤い痕

tapon (author)
moment (publishing line)
ShuCream Official EN

TW: emotional, physical, and sexual abuse

A complaint I see frequently regarding BL manga is that it’s too short. Compared to shonen or shojo series, which can go on for tens (and sometimes hundreds) or volumes, BL is often kept to between one and three volumes, and only goes beyond that for extremely popular series. (Though, I’ve noticed this is changing a bit with the proliferation of digital publishing in the BL space, but that’s a tangent for another day.) I personally like this aspect of BL, however—it forces the artist to write a concise story that makes a big impact with as few pages as possible. And, in the case of today’s review subject, sometimes you come across a manga that fits a full coming of age story in as few as four chapters.

tapon’s Entwined in Red condenses a story about abuse, trauma, and shame into just over one hundred pages. Our main character, Asai, is a Very Good Boy whose entire personality and motto are heavily based on the idea that it’s best to live a “normal” life. Good in school, a wonderful son and big brother, and popular with all his female classmates, Asai seems like the perfect example of what a teenage boy should be. However, he’s harboring a secret—ever since elementary school, when he and some fellow classmates stumbled on a porn mag with women in full shibari, he’s been obsessed with the idea of beautiful red ropes marking pale skin. From his classmates’ exclamations of disgust, however, it was made clear that liking shibari isn’t “normal.”

Enter his beautiful classmate Rui. Consistently truant, to the point that most of his classmates only remember his existence through rumors about him being a player and son of a yakuza, Rui is a complete mystery to Asai. So when Rui is suggested as the pianist for their class choir contest (evidently a staple in Japanese middle and high schools), Asai is asked as the class rep to visit Rui’s apartment, tell him about the contest, and deliver some paperwork. What he walks in on, however is Rui in the middle of prostituting himself to an older man, his beautiful pale skin covered in red rope.

When Asai tries to chastise Rui for doing “stuff like that,” Rui gets annoyed and points out Asai got hard from seeing him all tied up, so what right does he have to act superior? When Rui tells Asai to take responsibility for constantly interrupting his time with his clients, Asai can’t resist the allure of these desires he’s been pushing down for half his life, and thus Asai’s squeaky clean image is tarnished—but in its stead starts the blossoming of a relationship tying him to Rui.

Continue reading “Healing From Trauma’s Scars: tapon’s “Entwined in Red””

Community Tags, Why They Exist, and Why They Matter

While searching on our site, you may have noticed we have two tagging systems:

If these tags appeal to you, they’re for the series Chew Me Up and Teach Me About Love!

For those who’ve ever wondered why in the world we need two tagging systems, or what these two tagging systems are used for, I figured I’d do an explainer. I’ve noticed the community tags in particular seem under-utilized, and since they’re sincerely more helpful the more people actually use them, I was hoping I could “take a Selfish” and talk about why I think the community tags are important.

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Zombies, Delinquents, and More: The World(s) of Yuo Yodogawa

Available on Renta!: Works by Yuo Yodogawa

Author’s Twitter: 淀川ゆお (@yuo_zero)

Author’s Pixiv: 淀川ゆお

When I first heard whispers that the next Renta! fan letter campaign would center around THE Yuo Yodogawa, I could hardly contain my excitement. My company would be serving as a bridge between international fans and one of my favorite BL mangaka in the game today?? Heck yeah!

In case you’re unfamiliar with the wildly popular Yodogawa-sensei, I’ll quickly share how I became a fan. Have you ever fallen in love at first sight with an art style? I believe that’s what I experienced upon laying eyes on Yuo Yodogawa’s art for the first time. Little did I know when I stumbled upon a chapter in the middle of a random manga and thought, “Huh, that art looks really nice!” that I would quickly be sucked into the Yodogawaverse — and I couldn’t be happier.

If you’ve never had the pleasure of experiencing a Yodogawa manga, I suppose the best way to describe their body of work would be as sexy, funny, and cute — but that doesn’t do it nearly enough justice, so I’ll just use this space to gush about a few of my favorite series from Yodogawa-sensei!

I hope you’ll join me in the Yodogawaverse, and discover some BL series that are both awe-inspiring and “aww”-worthy!

Continue reading “Zombies, Delinquents, and More: The World(s) of Yuo Yodogawa”